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Saturday, February 04, 2006

  
Two Upcoming Talks on Pilipino Labor, Organizing, and Cinema

Wednesday, February 8, 2006
12:15-1:30
Location: Campbell Hall 3232, UCLA
Cost: Free and open to the public.
"U.S. Filipino Organizing and Contemporary Workers’ Struggles in the Philippines"

Guest Speaker: Kuusela Hilo of Habi Arts, an LA-based organization that seeks to promote political and artistic empowerment to inspire and mobilize people for progressive social change.

With a screening of

Sa Ngalan Ng Tubo (In the Name of Sugar/Profit), a film by Tudla Media Collective. This film portrays the events that led to the violent loss of seven striking workers and union leader in Tarlac, Philippines.

Contact: L. Burns, lmburns@ucla.edu, (310) 825-0198

Wednesday, February 22, 2006
12:00 PM - 1:30 PM
10383 Bunche Hall, UCLA
Cost: Free and open to the public.
"Globalized Domestic Work and Female Representation in Contemporary Women's Films in the Philippines"

A Distinguished Visitor Lecture by Professor Roland B. Tolentino, University of the Philippines Film Institute

The impetus for Philippine national development rests on the export of its laborers.  This massive export that continues to increase through the years sustains Philippine development.  Films as cultural artifacts of nationhood provide a dialog to and critique of the economic and political impetus of national development.  This lecture will first map out the context of labor export in the Philippines, then proceed to analyze, in particular, globalized domestic work that emplaces the overseas Filipina domestic worker as a central figure in national development.  It then turns to the subgenre in film on the overseas contract worker and locates its development within female and feminist filmmaking in the Philippines.

Roland B. Tolentino is an Associate Professor at the University of the Philippines Film Institute, College of Mass Communication and in 2005-06, a Visiting Professor at the National University of Singapore.  He completed his Ph.D. in Film, Literature and Culture at the University of Southern California.  His publications include co-editor, Transglobal Economies and Cultures: Contemporary Japan and Southeast Asia (2004), National/Transnational: Subject Formation and Media in and on the Philippines (2001), Sa loob at labas ng mall kong sawi/kaliluha’y siyang nangyayaring hari: Ang Pagkatuto at Pagtatanghal ng Kulturang Popular [Inside and outside my shattered mall/confusion reigns supreme: pedagogy and performance of popular culture] (2001), and Richard Gomez at ang Mito ng Pagkalalake, Sharon Cuneta at ang Perpetwal na Birhen at iba pang sanaysay hinggil sa bida sa pelikula bilang kultural na texto [Richard Gomez and the Masculine Myth, Sharon Cuneta and the Perpetual Virgin and other essays on film stars as cultural texts] (2000) which was the Winner of the Best Film Criticism Book, Manila Critics Circle, September 2001.

For more information please contact
Posted by: Center for Southeast Asian Studies?www.international.ucla.edu/cseas/
Sponsor(s): Center for Southeast Asian Studies, Asian American Studies
 
___________________________________
 
2. AAJC Demands that CBS Reprimands Radio Host for Mocking Asian Americans
 
Washington, DC, Jan. 27, 2006 – The Asian American Justice Center (AAJC) today expressed outrage over the insensitive and racist segment in the Jan. 24 radio show of Adam Carolla mocking the Asian Excellence Awards which will be aired on AZN Television this Sunday, Jan. 29.   
 
“Adam Carolla demeaned the work of Asian American actors, directors, and producers and perpetuated the stereotype of Asian Americans as foreigners,” said Karen K. Narasaki, president and execu! tive director of the Asian American Justice Center (AAJC). “Unless Adam Carolla is strongly reprimanded, and the station and CBS Radio apologize, we will be forced to ask advertisers to withdraw their support of his show.”
 
The Adam Carolla Show, aired through CBS Radio’s 97.1 Free FM (KLSX-FM) in Los Angeles, referred to the Asian Excellence Awards as a joke and repeatedly used the sounds “ching-chong” in recreating a segment of the awards which were actually done in English. The Adam Carolla Show is aired in 10 West Coast cities that have the largest Asian American populations in the U.S.
 
The Asian (AX) Excellence Awards honors Asian Americans in media who have made a difference in the United States. The awards will also pay a special tribute to the late actor, Pat Morita.
 
AAJC is encouraging people to call or email the following CBS Radio executives:
·         Joel Hollander, chairman and chief executive officer, CBS Radio, tel: 212-846-3939, email: joel.hollander@infinitybroadcasting.com
·         Dana L. McClintock, senior vice president, CBS Communications Group, tel: 212-975-1077, email: dlmcclintock@cbs.com
 
A clip of the Jan. 24 Adam Carolla Show is available at:  http://www.reelplay.com/adamcarollaclips.html
 
AAJC’s affiliate, the Asian Pacific American Legal Center of  Southern California, and other organizations like the Korean American Coalition of Los Angeles, and the Media Action Network for Asian Americans have also criticized the Adam Carolla Show.
 
 
3. NAPABA Mourns Civil Rights Leader Coretta Scott King
 
NATIONAL ASIAN PACIFIC AMERICAN BAR ASSOCIATION
910 17th St., N.W., Suite 315
Washington, D.C.  20006
 
For Immediate Release                                                                              Contact:    Les Jin
January 31, 2006                                                                                           (202) 775-9555
 
NAPABA Mourns Civil Rights Leader Coretta Scott King
 
Washington, D.C. – The National Asian Pacific American Bar Association (NAPABA) joins the nation in mourning the loss of Coretta Scot! t King, a beloved leader of the American civil rights movement and international peace and human rights activist.  NAPABA honors Mrs. King and remembers the remarkable life she led as a dedicated wife, mother, and civil rights activist.
 
Mrs. King founded the Martin Luther King, Jr. Center for Nonviolent Social Change as a memorial to her husband’s life and legacy after his assassination in 1968.  In addition to her nationally significant contributions to civil rights through the work of the King Center, she helped found and ! lead dozens of civil rights organizations and coalitions on diverse issues including full employment, healthcare, religious freedom, and voter participation.  She also gained recognition for her work with international peace and justice efforts.
 
“We mourn the loss of Coretta Scott King not only because of the ideals she represented, but also because of the concrete changes she made throughout her life that have made society better for all people of color,” remarked NAPABA President Amy Lin Meyerson.  “Mrs. King remained at the heart of the civil rights movement all these years.  She continued to fight for racial and economic ju! stice long after the nation’s attention faded.  As many have noted, she truly was the matriarch of the civil rights movement, and she will be sorely missed.” 
 
“Mrs. King saw civil rights beyond national borders,” commented NAPABA Executive Director Les Jin.  “Her life-long dedication to peace, justice, and human rights had an impact around the world.  Whether through her work on Soviet-U.S. relations, protesting South African apartheid, or her leadership in building coalitions for civil rights for all Americans here at home, Mrs. King’s vision of civil and human rights demanded we seek change wherever we see injustice.&nbs! p; We are all indebted to her work and decades of leadership.”
 
###
 
The National Asian Pacific American Bar Association (NAPABA) is the national association of Asian Pacific American attorneys, judges, law professors and law students.  NAPABA represents the interests of o! ver 40,000 attorneys and 47 local Asian Pacific American bar associations.  Its members represent solo practitioners, large firm lawyers, corporate counsel, legal service and non-profit attorneys, and lawyers serving at all levels of government.  NAPABA continues to be a leader in addressing civil rights issues confronting Asian Pacific American communities.  Through its national network of committees and affiliates, NAPABA provides a strong voice for increased diversity of federal and state judiciaries, advocates for equal opportunity in the workplace, works to eliminate hate crimes and anti-immigrant sentiment, and promotes professional development of minorities in the legal profession.
 
*************************
science
Screen Test
Why we should start measuring bias.
By Jay Dixit
Posted Thursday, Jan. 26, 2006, at 4:10 PM ET

"Everyone's a little bit racist sometimes," proclaims the Broadway musical Avenue Q. "Doesn't mean we go/ Around committing hate crimes/ Look around and you will find/ No one's really colorblind/ Mayb! e it's a fact/ We all should face/ Everyone makes judgments/ Based on race."

How do you test internal bias? You can try asking people, but since most of us don't like to think of ourselves as biased, we won't necessarily admit to it on a questionnaire, even anonymously. But there's a test to detect the kind of bias people won't admit to and may not even be aware of themselves—a test that works. The psychologists who devised it, however, are squeamish about real-world uses of it. They shouldn't be.. Though it shouldn't be used as the basis for hiring decisions, the test has its place.

In 2003, Mahzarin Banaji, Anthony G. Greenwald, and Brian Nosek published a paper detailing an experimental methodology they had developed called the Implicit Association Test, or IAT. Rather than asking subjects what they thought about different races (or what they thought they thought), Banaji and her colleagues decided to time them as they paired words and images.

In t! h! e test's most popular version, the Race IAT, subjects are shown a comp uter screen and asked to match positive words (love, wonderful, peace) or negative words (evil, horrible, failure) with faces of African-Americans or whites. Their responses are timed. If you tend to associate African-Americans with "bad" concepts, it will take you longer to group black faces with "good" concepts because you perceive them as incompatible. If you're consistently quicker at connecting positive words with whites and slower at connecting positive words with blacks—or quicker at connecting negative words with blacks and slower at connecting negative words with whites—you have an implicit bias for white faces over those of African-Americans. In other words, the time it takes you to pair the faces and words yields an empirical measure of your attitudes. (Click here for a more detailed description of the test.)

The elegance of Banaji's test is that it doesn't ! let you lie. What's being measured is merely the speed of each response. You might hate the idea of having a bias against African-Americans, but if it takes you significantly longer to group black faces with good concepts, there's no way you can hide it. You can't pretend to connect words and images faster any more than a sprinter can pretend to run faster. And you won't significantly change your score if you deliberately try to slow down your white = good and black = bad pairings.

Banaji, now a social psychologist at Harvard, has found that 88 percent of the white subjects who take her test show some bias against blacks. The majority of all subjects also test anti-gay, anti-elderly, and anti-Arab Muslim. Many people also exhibit bias against their own group: About half of blacks test anti-black; 36 percent of Arab Muslims test anti-Arab Muslim; and 38 percent of gays show an automatic preference for heterosexuals. (You can take the test yourself here; the results can be deeply humbling.)

The IAT, then, is an objective measure of bias. And research has shown that the test is powerfully predictive of behavior—as Banaji notes in refuting critics' claims that the test measures not individual bias but awareness of bias within society. People with high racial bias scores are more likely to choose a white partner to work with and more willing to cut funding for minority student groups. They're also more likely to judge minority suspects guilty in ambiguous situations and assign longer prison sentences to suspects with minority names.

Yet the test's creators are extremely wary about unleashing the powerful tool they've created. Banaji has threatened to testify in court against efforts to use her test in real-world situations. Using the test to ferret out biased people, she argues, assumes that people who have high ! implicit bias scores will always behave in a biased way—which is not the case, since the tests don't predict behavior with 100 percent accuracy. Banaji also points out that some highly motivated subjects may be able to beat the test by focusing on "counter-stereotypes," for instance, by thinking about black heroes like Dr. Martin Luther King Jr. and Nelson Mandela just before taking the test.

Banaji is right: The test isn't a perfect predictor, and it may be possible to beat it. Those are good reasons to limit the test's uses. But they don't justify never using it at all.

Consider juries. Since studies show that people with high bias scores judge minorities guiltier than whites, people who test as highly biased against minorities shouldn't serve on juries in cases involving minority defendants. It's standard for judges to strike prospective jurors who exhibit clear prejudice against a defendant; at the federal corruption trial of former Atlanta Mayor Bill Ca! mpbell, one prospective juror was recently dismissed for writing in the questionnaire that he thought Campbell, who is African-American, should be "hung from the highest tree." Other jurors, however, don't volunteer their bias on questionnaires. Banaji's test would tell us who they are. Sure, not everyone who tests high for bias will actually judge the case before them in a biased way. But given the high stakes for the defendant—and the relatively low ones for a prospective juror—isn't it better to err on the side of keeping biased people out of the jury box?

A thornier question, though, is whether employers should use Banaji's test. Here the stakes are high on both sides. In a lot of jobs—judges, police officers, welfare officers, hiring managers, and others as well—biased people can do real harm. On the other hand, if a test shows an applicant is biased, but you have no evidence that he has actually discriminated against anyon! e, would it really be fair not to hire him? This is where the distinction between implicit bias and actual discrimination becomes most important. Since the test is not perfectly predictive of actual behavior, the risk of a false positive here is real. If you screen somebody out of a job who would not have actually behaved in a discriminatory manner, you've done them wrong.

Using the implicit bias test for employment screening, then, goes too far (and it's easy to imagine the legal challenges). But employers should be able to use the test to assess employees once they've been hired. Ideally, an employee's individual result would be revealed only to him or her (employers could get aggregate reports so they could better make decisions about how to reduce bias in the workplace). One reason to encourage employers to give the test is that, as Berkeley psychologist Jack Glaser points out, just taking it may sometimes be enough to convince people they are prejudiced! and should try to change. It's called "unconsciousness raising"—if you know what your unconscious is doing, you may work to override it.



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In the Race IAT, subjects are shown a computer screen. The left side of the screen says "White American or Good." The right side says "Black American or Bad." When images and words flash on the screen, the subject uses the keyboard to indicate whether each word or images goes left or right. When a white face appears, you click left. When an African-American face appears, you click right. When a "good" word like "peace" appears, you click left. When a "bad" word like "evil" appears, you click right. So far, so good.

But then the positions switch. Now the left side of the screen says "Black American or Good," and the right side says "White American or Bad." This is when many people start having trouble. They get confused. They make mistakes. When a word like "wonderful" comes up, it take! s them longer to correctly put it in the "Black American or Good" category. When a word like "failure" comes up, many people find it harder to group it with "White American or Bad." If that happens, it means you have an automatic preference—an implicit bias—for whites over African-Americans.

Jay Dixit is a writer in New York. He has written for the New York Times and Rolling Stone.

Article URL: http://www.slate.com/id/2134921/

Copyright 2006 Washingtonpost.Newsweek Interactive Co. LLC

************************************

Two Upcoming Talks on Pilipino Labor, Organizing, and Cinema

Wednesday, February 8, 2006
12:15-1:30
Location: Campbell Hall 3232, UCLA
Cost: Free and open to the public.
"U.S. Filipino Organizing and Contemporary Workers’ Struggles in the Philippines"

Guest Speaker: Kuusela Hilo of Habi Arts, an LA-based organization that seeks to promote political and artistic empowerment to inspire and mobilize people for progressive social change.

With a screening of

Sa Ngalan Ng Tubo (In the Name of Sugar/Profit), a film by Tudla Media Collective. This film portrays the events that led to the violent loss of seven striking workers and union leader in Tarlac, Philippines.

Contact: L. Burns, lmburns@ucla.edu, (310) 825-0198

Wednesday, February 22, 2006
12:00 PM - 1:30 PM
10383 Bunche Hall, UCLA
Cost: Free and open to the public.
"Globalized Domestic Work and Female Representation in Contemporary Women's Films in the Philippines"

A Distinguished Visitor Lecture by Professor Roland B. Tolentino, University of the Philippines Film Institute

The impetus for Philippine national development rests on the export of its laborers.  This massive export that continues to increase through the years sustains Philippine development.  Films as cultural artifacts of nationhood provide a dialog to and critique of the economic and political impetus of national development.  This lecture will first map out the context of labor export in the Philippines, then proceed to analyze, in particular, globalized domestic work that emplaces the overseas Filipina domestic worker as a central figure in national development.  It then turns to the subgenre in film on the overseas contract worker and locates its development within female and feminist filmmaking in the Philippines.

Roland B. Tolentino is an Associate Professor at the University of the Philippines Film Institute, College of Mass Communication and in 2005-06, a Visiting Professor at the National University of Singapore.  He completed his Ph.D. in Film, Literature and Culture at the University of Southern California.  His publications include co-editor, Transglobal Economies and Cultures: Contemporary Japan and Southeast Asia (2004), National/Transnational: Subject Formation and Media in and on the Philippines (2001), Sa loob at labas ng mall kong sawi/kaliluha’y siyang nangyayaring hari: Ang Pagkatuto at Pagtatanghal ng Kulturang Popular [Inside and outside my shattered mall/confusion reigns supreme: pedagogy and performance of popular culture] (2001), and Richard Gomez at ang Mito ng Pagkalalake, Sharon Cuneta at ang Perpetwal na Birhen at iba pang sanaysay hinggil sa bida sa pelikula bilang kultural na texto [Richard Gomez and the Masculine Myth, Sharon Cuneta and the Perpetual Virgin and other essays on film stars as cultural texts] (2000) which was the Winner of the Best Film Criticism Book, Manila Critics Circle, September 2001.

For more information please contact
Posted by: Center for Southeast Asian Studies?www.international.ucla.edu/cseas/
Sponsor(s): Center for Southeast Asian Studies, Asian American Studies

********************************
See link below from Dean Frank Wu regarding a conference in April. I encourage
many people as possible to attend.

http://www.law.wayne.edu/news/newsdocs/CAPALF%206x10%20PSTCD%20FINAL.pdf

---------- Forwarded message ----------
From: frankhwu <frankhwu@starpower.net>
Date: Feb 1, 2006 8:23 PM
Subject: [napalsa] Conference of APA Law Faculty (CAPALF), April 7-8, Wayne State University
To: NAPALSA@yahoogroups.com

The paper competition deadline has been extended to February 24, 2006.

**********************************
 
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